Beach boys cool cool water forever - The Beach Boys - Wikipedia


"The track was supposed to be the backing for a vocal, but I decided to leave it alone," Wilson said in 1967. "It stands up well alone." This revelation would explain why no obvious tune springs from the melodic figures ("Try to hum it!" he challenged years later). Some reports published in the Nineties accuse Capitol Records, anxious for their overdue album, of forcing Brian to use the vocal session to mix Pet Sounds – or even of confiscating the incomplete tapes outright. It remains to be seen whether these tales are based in reality or rock revisionism. Tony Asher, for his part, denies ever penning words for the tune. "I never heard any lyrics to that song, although I understood there were some. I don't know if they were recorded or who wrote them, if in fact they ever existed."

The best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound. Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson ) ever heard on a rock record. "Wouldn't It Be Nice," "God Only Knows," "Caroline No," and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me," "Don't Talk," "I Know There's an Answer," and "I Just Wasn't Made for These Times." It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best). Massively influential upon its release (although it was a relatively low seller compared to their previous LPs), it immediately vaulted the band into the top level of rock innovators among the intelligentsia, especially in Britain, where it was a much bigger hit.

REVIEW:  The Beach Boys' first unique UK Greatest Hits package that wasn't a variation on the previous US releases was this interesting compilation that showed a different, maturing sound of the band, which coincided with their rise in popularity in the UK, while their . fortunes were declining.   Featuring only a handful of their . hits, a significant portion of the track line-up consisted of post- Pet Sounds cuts, and presented the band as a much more varied, contemporary-sounding group than their . image allowed.  "Bluebirds Over The Mountain", "Cottonfields," "Do It Again," "Darlin'," "I Can Hear Music," and "Wild Honey" all get heard here, while the cover photo showed the band in their late-60s "beard" image, more in line with the changing styles of the times.  Add to that - the album contained a generous amount of music in its sixteen tracks, and no wonder the Beach Boys were gaining favor overseas. Capitol should've put this much thought and care into their stateside releases.

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In the first half of February 1962, Jardine left the band and was replaced by Marks. The band recorded two more originals on April 19 at Western Studios, Los Angeles: "Lonely Sea" and " 409 ". They also re-recorded " Surfin' Safari ". [ citation needed ] During early 1962, Morgan requested that some of the members add vocals to a couple of instrumental tracks that he had recorded with other musicians. This led to the creation of the short-lived group Kenny & the Cadets, which Brian led under the pseudonym "Kenny". The other members were Carl, Jardine, and the Wilsons' mother Audree. [nb 3]


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