Connie francis mala femmena evil woman connies big hits from italy - Malagueña (song) - Wikipedia


Eva Notty And Melissa Moore - Bothered By The Bush
Melissa can't believe her boyfriend Tyler. He refuses to go down on her because of her bush! Her new stepmom, Eva can't help but overhear how much a jerk Tyler is being - so she decides a bit of an intervention is in order. Eva barges into the bathroom catching Melissa trimming her bush, that's when she gives her a little pep talk. Eva tells her there's nothing wrong with a little bush, and she shouldn't let Tyler call the shots. Things turn hot quickly as Eva and Melissa compare their hair down there. After a surprise scissoring, they decide to double team Tyler and show him his place!

Backed with "You Were Only Fooling (While I Was Falling In Love)", the single was released on October 2, 1957. Initial attention was modest and it looked to be as much of a nonfactor as Francis's previous records, but after Dick Clark 's championing of it on American Bandstand in January 1958, the single rose to number 4 on the Billboard Hot 100 that spring, with eventual US sales totaling one million units. In the UK, it was number 1 for six weeks in May and June 1958. [3]

"Malagueña" is often performed in drum and bugle corps and marching competitions. [8] "Malagueña" has been performed and recorded numerous times by both the University of Massachusetts Minuteman Marching Band and the University of Minnesota Marching Band , and as such, has become one of the songs most identified with both groups. One of the most memorable drum and bugle corps performances was by the Madison Scouts Drum and Bugle Corps in 1988 which earned them the Drum Corps International (DCI) championship title. This has continued to be a fan favorite of drum and bugle corps. [9] [10]

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The idea of 7" singles playing at 33-1/3 rpm was hardly new when Columbia re-introduced that format to the public in 1959. Back in the late 1940s, when Columbia and RCA-Victor were battling to see which speed would replace the 78, Columbia went all the way and started issuing their now-microgroove singles on the 33 speed (see example, below right). They even added radial "rumble strips" around the label to keep them from slipping when on a changer. But they were just weren't popular with record buyers and 45s quickly won out for singles. Columbia had to be content with a victory on albums. By mid-1952, the 7" 33 singles were banished from Columbia's catalog (they had never been in other catalogs).

When rival RCA-Victor jumped in on the stereo 45s in a big way in 1958, Columbia sat back and waited. Ultimately, they totally refused to give in to RCA's stereo-45 singles, although the did start issuing stereo EPs in February, 1959. Instead, they re-introduced their brainchild 33-single, this time in stereo, during the summer of 1959.

A bad idea is also a bad idea ten years later, usually. The record buying public still disliked the 33s. As singles, you couldn't put your thumb through a stack of them to keep from dropping them, and the fidelity wasn't much improvement, if any, to most customers' ears. Within a very few months, Columbia's dream of a single-speed industry (at 33-1/3, of course) failed completely.

By the start of 1960, the only solid customer the stereo-33 single had was the juke box operators, who stocked their stereo juke boxes with them. All the record labels began shipping stereo-33 singles to the juke box people in little packets of five discs, along with title strips for the juke boxes and 5x5-inch slick photos of the album from which the packet was derived. The juke box folks loved it.

A vast majority of the stereo-33 singles listed in this discography started as part of a 5-disc package for juke boxes. By 1962, the idea of selling stereo-33 singles at the local record store was about done, and the juke boxers started going for stereo EPs and "Little LPs" with three songs on each side, costing the listener 25 cents instead of one song for 10 cents. The Little LPs lasted much longer than the stereo- 33 singles, reaching into the 1970s.

We would appreciate any additions or corrections to this discography. Just send them to us via e-mail . Both Sides Now Publications is an information web page. We are not a catalog, nor can we provide the records listed below. We have no association with any of these record labels. Should you be interested in acquiring the stereo singles listed in this discography (which are all out of print), we suggest you see our Frequently Asked Questions page and follow the instructions found there. This story and discography are copyright 2014, 2015 by Mike Callahan.

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